There comes to be a contrast between the two major settings in this piece, between the safe, warm light of the theatre, and the dangerous shadows of the Gothic tower, very simply showing the contrasting situations of the two protagonists, whilst both feeling the desolation and condemnation of the situation, one remains safe for the moment whilst the other is in immediate danger.
There is a reference to the looking-back at the very end of the film, where Christian is leading Satine offstage, and he looks back as she starts gasping for breath.
Could we ever get past that cerebral cool and perceived cool.
When used effectively, as I feel it is here, this sort of editing is very good at conveying emotions and feelings, over the plot and individual characters. Throughout the scene that has been analyzed, many features of mise en scene and have been put into the scene.
Then, when the scene begins to end, the lighting becomes normal and no signs of darkness are displayed, as it is a flashback.
Obviously, the convention of everyone using British accents is used so that a the audience can understand, and b the characters can understand each other Christian and the Duke are English, remember, while Satine, Toulouseand Zidler are French, we assume, along with everyone else.
As a courtesan, Satine is always performing, and always creating her appearance to be what others want it to. She steps into the room then, as she struggles to control her emotions, but the final confrontation comes in the doorway, as she tells Christian that the story really ends with the courtesan choosing the maharajah.
Before Christian comes along, these fantasies mesh nicely: We thought we had suddenly learnt Hindi, because we understood everything. But we had a friendly thing where it was me and him and a piano player, and we tried to sing a song together. Combined with the building music, this creates a great tension, which builds and builds, until all you see are shots of everyone yelling, then Chocolat punches the Duke, Nini falls to the ground, and the music stops.
Mistinguett retires from the stage and leaves the Moulin Rouge. The extravagant setting — the garden was adorned with a gigantic elephant — allowed people from all walks of life to mix. As the scene shifts settings, the lighting changes and this also helps create a state of constant tension, which is consistent with the dramatic narrative of Moulin Rouge.
Also, of course, the red and white petals fall on Christian and Satine at the end, after the triumph of the play where they have been reunited. The final key use of lighting is of course, the Gothic tower, the way in which the room, The Duke and Satine are portrayed. In a time when prostitution was accepted and buying love was all too common.
The Argentinean does not speak from malevolence, but from understanding therefore justifying his wardrobe. Could we ever get past that cerebral cool and perceived cool. The extras in this scene all dressed in white is rather simply for innocence in a sense; they are innocent of any guilt of action and of any importance to the scene other than being a ravishing display of dancing, therefore they are attired in the rather unassuming white so that the main characters may be easily distinguishable from them at even the most cursory of glances.
July Learn how and when to remove this template message The film was selected by the National Board of Review as the best film of All of these sections are related to the movie, Moulin Rouge, which prove it to be a dramatic film.
A few weeks later, it received 13 nominations at the BAFTA Awards, making it the most nominated film of the year for that ceremony. Is it yet another hint at character death. Usually, they are not focused on special effects, comedy, or action; Dramatic Films are probably the largest film genre, with many subsets.
Deemed to be scandalous, the show was banned. The silhouettes — I refer to the extras and non-essential characters to the scene in the simple sense that they are cast in darkness with just their shapes visible, of course, rather naturally one would assume that this is to keep the room full whilst keeping the attention of the audience upon the protagonist and the story teller.
July Learn how and when to remove this template message The film was selected by the National Board of Review as the best film of. Feb 29, · The film, Moulin Rouge, is an intense, musical drama, directed by Baz, Luhrmann.
Throughout the scene that has been analyzed, many features of mise en scene and have been put into the scene. The settings and lighting helps to demonstrate that this scene fits into the genre of being an intense, musical drama.
Sep 24, · A Comprehensive Analysis of the “Tango de la Roxanne” from “Moulin Rouge” Historical Background The song El Tango de Roxanne seems to be a combination of three different works; The most obvious contribution is “Roxanne”, “a hit song by the rock band The Police, first released in as a single and on their album “Outlandos.
May 24, · At the risk of sounding overly bombastic, "Moulin Rouge" is the best film I've seen all year, perhaps the best one I've seen in over a year. It is operatic in the best sense of the word, being at once massively outlandish and deeply personal/10(K). Keywords: moulin rouge film analysis Nowadays we live in democratic society and all members take action in shaping our culture.
From all forms of mass communication, from all types of art the cinema occupies in society unique position. The film Moulin Rouge is a musical that embodies the basic characteristics of genre films in terms of being dualistic, repetitive, cumulative, predictable, nostalgic, and functional; like other genre films, it fulfills its purpose of entertaining the audience by having cultural and countercultural values clash but still pleasing the viewers via.
Analysis. Most of the criticism of Moulin Rouge seems to indicate that the person speaking has significantly misunderstood the film. Yes, it is an unusual film in most aspects (except for the plot), but I believe that everyone involved knew exactly what they were doing—this is reinforced if you listen to the commentaries on the DVD, where the.Moulin rouge film genre analysis